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Постійне посилання колекціїhttps://dspace.nuft.edu.ua/handle/123456789/7522
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Документ The Esthetic Possibilities of Onomatopoeias in Contemporary Ukrainian Poetry(2015) Naumenko, NataliiaThe artistic imagery of a poetic work synthesizes the visual and audible component in its intonation dimension. This will significantly enlarge the volume of esthetic information, together with the speaker’s emotional attitude which is able to suggest an image expressed in a poem to a reader. To reach the proper acoustic effect, poets use the ideophones (or onomatopoeias) and puns connected with them to create either overt or latent metaphors, constructing the image of a sounding thing or entity. This way the poet can concentrate any audible element to ‘a point within an idiom,’ activating the imagination and artistic thinking of a poem’s addressee.Документ Sensory imagery in poems by Pavlo Tychyna and their Anglophone translations(2018) Naumenko, NataliiaThe stylistic diversity of early works by Pavlo Tychyna (synthesis of neoromanticism with symbolism, impressionism, imaginism) has brought the new variations of Ukrainian modernistic verse and the experimental character of Tychyna’s style: word creation, using onomatopoeias, exotic stanza patterns and sensory imagery. Two Anglophone translators of Tychyna’s verse – Michael Naydan and Gladys Evans – showed their own approaches to the original text (particularly, Harps ringing…). Mr. Naydan’s work resulted in synthesizing lyrical and epical initials of the author’s philosophy; otherwise, Mrs. Evans kept up to folklore rhythm of the verse, including rhyming and stanza pattern. In general, both translators make the accent on euphony, successfully combining the traits of Ukrainian and English poetic syntax.